ATLANTA — This city would seem a peculiar place for sober conversation about the conduct of William T. Sherman.
To
any number of Southerners, the Civil War general remains a ransacking
brute and bully whose March to the Sea, which began here 150 years ago
on Saturday, was a heinous act of terror. Despite the passage of time,
Sherman remains to many a symbol of the North’s excesses during the
Civil War, which continues to rankle some people here.
Yet
this week, Atlanta became the site of a historical marker annotating
Sherman folklore to reflect an expanding body of more forgiving
scholarship about the general’s behavior. One of the marker’s sentences
specifically targets some of the harsher imagery about him as “popular
myth.”
“ ‘Gone
with the Wind’ has certainly been a part of it,” W. Todd Groce, the
president of the Georgia Historical Society, which sponsored the marker,
said of regional perceptions of Sherman and the Union Army. “In
general, we just have this image that comes from a movie.”
The
marker near the picnic tables at the Jimmy Carter Presidential Library
and Museum is the fruit of a reassessment of Sherman and his tactics
that has been decades in the making. Historians have increasingly
written that Sherman’s plan for the systematic obliteration in late 1864
of the South’s war machine, including its transportation network and
factories, was destructive but not gratuitously destructive. Instead,
those experts contend, the strategy was an effective and legal
application of the general’s authority and the hard-edged masterstroke
necessary to break the Confederacy.
They have described plenty of family accounts of cruelty as nothing more than fables that unfairly mar Sherman’s reputation.
“What
is really happening is that over time, the views that are out there are
being challenged by historical research,” said John F. Marszalek, a
Sherman biographer and the executive director of the Mississippi-based Ulysses S. Grant Association. “The facts are coming out.”
To
that end, the marker in Atlanta mentions that more than 62,000 soldiers
under Sherman’s command devastated “Atlanta’s industrial and business
(but not residential) districts” and talks of how, “contrary to popular
myth, Sherman’s troops primarily destroyed only property used for waging
war — railroads, train depots, factories, cotton gins and warehouses.”
Sherman’s
aggressiveness, the marker concludes, “demoralized Confederates,
hastening the end of slavery and the reunification of the nation.”
The
marker, placed in Atlanta at a time when more and more of its residents
are not natives of the area, drew relatively little criticism ahead of
its dedication on Wednesday morning, Dr. Groce said. But some say its
text is an inaccurate portrayal of history that amounts to an academic
pardon for a general some believe committed acts that would now be
deemed war crimes.
“In
the complex and convoluted course of Civil War writing, everyone is
liable to make a mistake sometime,” said Stephen Davis, the author of
“What the Yankees Did to Us: Sherman’s Bombardment and Wrecking of
Atlanta.”
“They’re bending over backward to give Sherman a whitewash that he does not deserve,” he said.
Jack
Bridwell, a longtime leader of the Sons of Confederate Veterans chapter
in Georgia, was more blunt: “How they can justify saying anything other
than that he’s Billy the Torch, I don’t know.”
The
reassessment of Sherman comes at a time when the South continues to
weigh how to recognize its complex racial history. Earlier this year,
the National Center for Civil and Human Rights opened in Atlanta, the
same city where Gov. Nathan Deal last year ordered the removal of a
statue of an avowed white supremacist from the grounds of the State
Capitol. (Officials said that the relocation of Thomas E. Watson’s
likeness was to accommodate a construction project and that the state
could not afford to return the statue to its former position.)
But
the Confederate battle emblem still flies on the grounds of the South
Carolina State House, and there is a push underway in Mississippi to
amend its Constitution to enshrine “Dixie” as the state song.
The
new look at Sherman’s legacy, scholars of the Deep South readily
acknowledge, challenges deeply held opinions of the general.
“It
has not been a legend that white Southerners have been particularly
eager to surrender because it was all part of their sense of grievance,
that they had been so severely wronged during the Civil War,” said James
C. Cobb, a professor at the University of Georgia and a former
president of the Southern Historical Association. “The old stereotype is
a long way from disappearing. There’s this sort of instinctive sense of
Sherman embodying the whole Yankee cause and the presumed
vindictiveness and unrelenting harshness that the white South was
subjected to.”
But
Mr. Bridwell says such sweeping dismissals of Southern complaints about
the March to the Sea are meritless and, in the eyes of many, repugnant.
“There’s
still a strong resentment for what happened and how it happened and for
Sherman himself,” Dr. Cobb said. “They want to whitewash everything and
make it so much nicer than it was. It wasn’t nice. War isn’t.”
There
are few expectations here that Sherman will be the beneficiary of an
immediate and all-encompassing wave of Southern good will. But Dr. Cobb
said he had sensed a shift in attitudes on his university campus in
Athens, east of Atlanta.
“You
all the time run into college kids who don’t know which side Sherman
was on — and their parents and certainly their grandparents would be
aghast to know that,” he said. “It’s not just a matter of education.
It’s a matter of being the blank slate that younger generations present
for revision or education that older generations don’t because they’re
steeped in the mythology of their ancestors.”
The enduring nature of that lore, Dr. Marszalek said, was in itself a testament to Sherman’s maneuvers.
“His
whole concept was psychological warfare,” Dr. Marszalek said. “He did
such a good job getting into people’s minds, he’s still there in many
ways.”
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