Thursday, April 30, 2020
Robert B. Reich - The System - Notes
The former Sec. of Labor under President Clinton and current UC-Berkeley profess details how the American economic system is rigged against the poor and middle class. Wealth and power has installed an oligarchy. This is a top-down view.
F. Scott Fitzgerald - All of the Belles - Notes
This slim volume edited by Kirk Curnutt, chair of the English Dept. at Troy-Montgnery, collects Fitzgerald's three short pieces, his Montgomery stories, written as a result of his fortuitous journey to Montgomery in 1918 to 1920 where he met Zelda Sayre. The stories, unbeknownst to me, are quite good.
My FB interaction with the editor.
My FB interaction with the editor.
Hello Prof. Curnutt---I just became aware of your existence in the universe having just received your latest publication All of the Belles. I mistakenly thought the book was about bells in Montgomery before I ordered from Amazon, but am happy to see that I was mistaken. Thanks for producing the book. Have you always been as witty as you appear to be in the introduction?
It's great to meet you, Fred! Please call me Kirk. Thank you for buying Belles! It's been a labor of love trying to celebrate Scott and Zelda in Montgomery. Haha---I don't know about witty. Most days I feel borderline frivolous. I see you were in higher ed publishing? what did you do?
I was a sales rep for Wadsworth which became Thomson which is now Cengage from 1976 to 2016 when I retired all in Alabama. I represented the entire list until 1998 when I specialized in math and science though I am a humanities and social science person at heart. I graduated from Auburn in 1973 BA in history. Thought about grad school in history but never made in favor of 40 years as a textbook rep. It all worked out for the best.
Ah, you rode out some transformations then. I was a second-generation editor on the Heath Anthology of Am Lit, which Cengage acquired around 2008-9 when Harcourt sold off its academic publishing. I used to make some nice royalties off that book---once I received a $13, 000 check ... only to discover it wasn't made out to me, but to some guy who wrote whatever popular history textbook they had. Then Cengage went into bankruptcy and reorganization and we never received another drop. The guy who founded the anthology even tried to talk to them about buying the book back and taking it elsewhere, but he can't get a conversation with anybody. My Cengage rep drops by Troy every so often---I don't envy that job! I hope you're enjoying retirement. I can't wait to get there!
I appreciate your response. We'll have to keep taking. I would very much appreciate literary conversation. I just did an excerpt on FB from your introduction. I have read all of Fitzgerald's novels but only some of the short stories. I look forward to reading this one in your new book. I see that you have also published on Faulkner and Hemingway. Oh, my! (Yes, recent higher ed publishing activity is a bitch and now they're trying to consolidate Cengage and McGraw-Hill)
I love the short stories, mainly because they're not very well-known and there's opportunities for scholarship instead of trying to hammer out the 1,000,000th essay on Gatsby. That said, Gatsby was just "banned" or taken out of the curriculum in Matsu Alasksa, so apparently it's still controversial to somebody! LOL. I've been lucky to get opportunities here and there; I think mostly bc I could deliver final products. As you know, academics rarely have a sense of meeting actual deadlines. The real hell will be this fall in academia---the pandemic is going to whittle higher ed to the bone. Not like there was a lot of flesh to spare. Happy Tuesday! LOL
The Ice Palace is a magnificent story. I found myself wondering what part of Sally Carrol's words are fiction and what part of her words are verbatim from Zelda. There are at least three racial references in the story. What if anything have critics said about this? Did Fitzgerald make mocking remarks about the South to Zelda?
Yes, it's one of my faves, and demonstrates how good he was at comedy, which people forget because Gatsby is so sad. The racial references are tough: basically people either accept that such epithets were commonplace at the time, regrettably, or they just walk away from the story. There's no easy answer on that. He was not a racial progressive by any means. (Nor was Zelda). Supposedly that whole dialogue in the graveyard was Zelda's, or at least a paraphrase of what she said the day she took him there. But it's clearly amped up a bit to make it sound just shy of being over the top. I don't think FSF ever mocked the South the way Harry does---he probably picked that up from his fellow Princetonians. He actually identified with the South bc his father was a Marylander who supported the Confederacy. As you see, the politics are twisted, though the language is beautiful. My fave is "Last of the Belles"---it's the most mature of them.
I plan additional FSF reading. Over the years I've read all of novels including Gatsby several times. I have an edition of the complete short stories so I will be thorough here. Otherwise, as a former history major and continuing student of American history, I am more interested in Fitzgerald in the context of the social and intellectual history of his times than in literary criticism. I have ordered your historical guide to Fitzgerald. This might be the approach I am looking for most. I have the Bruccoli bio on my list. Can you think of anything else that you would recommend?
P.S. I have ordered the Edmund Wilson version of The Crackup.
That's a great collection---the Wilson Crack-up. He wrote his best work in the 1930s in nonfiction (Tender is the Night excluded). I really like the David S Brown biography that came out three years it---it depicts Fitzgerald as an intellectual, placing him in the intellectual traditions of the immediate past and president. Otherwise, the book is most recommend is the reprint of Scott Donaldson's Fool for Love that the Minnesota Historical Society published about 7 or 8 years ago. IT's very thorough but it's arranged thematically rather than chronologically, and he cites just about every Fitzgerald text under the sun. Plus it's very readable.
Much obliged, as they say in the South. I have ordered the Donaldson and Brown biographies. I already have Donaldson's Hemingway vs. Fitzgerald which my son purchased for me and I read back in 1999, which I may visit again and I have his Hemingway and Fitzgerald already which I have not read. I have signed up for the "spirited discussion" for tomorrow but I am iffy with a potential conflict. One of my Tennessee friends is in town visiting her father who is in ill-health in Alabaster and she said something about a picnic with proper distancing tomorrow afternoon so I may have to do that instead if it comes off. Thanks for interacting with me. I appreciate it SO much.
You'll probably have more fun at a picnic---so no worries! It'll be a pretty freewheeling discussion, nothing too formal or academic. Hemingway vs Fitzgerald is a great book too---it's actually been Scott's biggest seller of a long career. (He's getting ready to turn 91). Fool for Love is very much in the same style. I think you'll find it a quick but informative read.
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I will be listening in on a discussion of Zelda Fitzgerald at 3 this afternoon with Fitzgerald scholars in what is supposed to be a "spirited discussion." I like spirited discussions. Don't you? Especially if I can listen and learn.
At a dance in July 1918, barely a month after graduating from Sidney Lanier High School, Zelda met F. Scott Fitzgerald, a 21-year-old army second lieutenant stationed at nearby Camp Sheridan.
If I had been at that dance in Montgomery and met Zelda first, history might have been different. Reckon? Fred and Zelda. It has a ring to it
"In 'The Jelly Bean,' the hero is a townie, Jim Powell, so stymied by a lack of motivation and opportunity that he is stereotyped as a 'corner loafer,' the type of slacker 'who spends his life conjugating the verb to idle in the first person singular---I am idling, I have idled, I will idle.' The only thing in Tarleton* that sparks Jim's fire is Nancy Lamar, a friend of Sally Carroll's with 'a mouth like a remembered kiss,' who 'left a trail of broken hearts 'from Atlanta to New Orleans.' In other words, Zelda."
-Kirk Curnett & F. Scott Fitzgerald "All of the Belles," The Montgomery Stories of F. Scott Fitzgerald
* fictional Montgomery
"In 'The Jelly Bean,' the hero is a townie, Jim Powell, so stymied by a lack of motivation and opportunity that he is stereotyped as a 'corner loafer,' the type of slacker 'who spends his life conjugating the verb to idle in the first person singular---I am idling, I have idled, I will idle.' The only thing in Tarleton* that sparks Jim's fire is Nancy Lamar, a friend of Sally Carroll's with 'a mouth like a remembered kiss,' who 'left a trail of broken hearts 'from Atlanta to New Orleans.' In other words, Zelda."
-Kirk Curnett & F. Scott Fitzgerald "All of the Belles," The Montgomery Stories of F. Scott Fitzgerald
* fictional Montgomery
Sunday, April 26, 2020
The coronavirus is Trump’s Chernobyl
By Brian Klaas
The Washington Post
On Saturday, April 26, 1986, the No. 4 reactor at Chernobyl power station exploded just outside the town of Pripyat in the Soviet Union. During the crucial early hours of the disaster, a cascading series of mistakes exacerbated the emergency. Subordinates who feared their superiors kept quiet. Superiors who feared contradicting the prevailing mythology of the state — and its leader — bent and broke reality. They made a series of smaller lies to protect the big lie: that the Soviet Union had everything under control.
During crises, ideology kills. Protecting myths, rather than people, is deadly.
The rapidly worsening coronavirus outbreak is President Trump’s Chernobyl. By putting dangerous myths above objective facts, Trump has turned the crucial early phases of government response into a disaster. Some public health experts in government have undoubtedly kept quiet, having seen repeatedly what happens to those who publicly contradict this president. And Trump himself, along with those who surround him, has tried to construct a reality that simply does not exist.
Those lies will kill.
Two weeks ago, today, Trump tweeted that “The coronavirus is very much under control in the United States … Stock market is starting to look very good to me!” At that point, there were a small number of cases, but public health experts clearly stated that the number was likely to spike. Nonetheless, Trump accused his critics of perpetrating a “hoax” and said their concerns was overblown. He said that the number of cases — 15 at the time — would soon be “close to zero.”
Today, there are more than 500 cases. There will soon be thousands.
Yet every new infection was viewed through the prism of political self-interest. Every warning was dismissed as media hype. Crucial hours and days ticked by without the urgent action that was needed.
Early on, public health experts and front-line doctors began ringing alarm bells. Testing kits weren’t available even for high-risk cases that were showing matching symptoms to covid-19. Trump responded by meeting with Fox News media performers Diamond and Silk at the White House. “Vote red, R-E-D,” Diamond said. “Remove Every Democrat.” Trump nodded and smiled.
The stock market is crashing. Every indicator from bond markets predicts a serious recession. The death rate is climbing. And if the outbreak in Italy is any indication of what we should expect, everything is about to get much worse.
Trump played golf yesterday.
Worse, he also admitted that his thinking is at least partly influenced by trying to keep the numbers of cases low. It was an acknowledgment that the big lie — that everything is fine and Trump has it under control — was what was worth protecting.
Reactors don’t explode. Anyone who wants a test can get a test. The Soviet Union made no mistakes. The U.S. government response to the coronavirus has been “perfect.”
So far, Trump has been able to glide through crises of his own making because his base of support has often believed him over reality. When fact-checkers expose Trump’s lies, many of his supporters distrust the fact-checkers, not the liar.
But coronavirus is different. Spin won’t make dead bodies disappear. Recessions can’t be warded off with a blistering tweet in all-capital letters. You can’t blame Hillary Clinton for hospital overcrowding. The Trump playbook works when everything else is working. It falls apart when the world is falling apart.
In August 1986, after the disaster, Soviet scientists finally acknowledged that the reactor type in service at Chernobyl had a design flaw that could cause a nuclear disaster. They had been aware of it for nine years. But nothing was done.
“Who would have thought?” Trump asked during his recent visit to the Centers for Disease Control and prevention. In fact, public health experts were warning for years that this would happen. “The threat of pandemic flu is the No. 1 health security concern,” one official in the White House’s global health security unit warned early in the Trump administration. “Are we ready to respond? I fear the answer is no.” The following day, Trump shut that office in a reorganization.
With Chernobyl, as with Trump’s response to the coronavirus, efforts to protect the big lie were always doomed. It was impossible to simply lie and cover up the nuclear disaster. But that didn’t stop the Soviet Union from trying. It is impossible to pretend that people dying in increasing numbers is a “hoax” or that an inadequate supply of testing kits is part of a “perfect” government response. But that hasn’t stopped Trump from trying.
For years, it has been obvious that having as president a self-aggrandizing liar who constructs his own reality is dangerous. We’re about to find out just how deadly it can be.
The Washington Post
On Saturday, April 26, 1986, the No. 4 reactor at Chernobyl power station exploded just outside the town of Pripyat in the Soviet Union. During the crucial early hours of the disaster, a cascading series of mistakes exacerbated the emergency. Subordinates who feared their superiors kept quiet. Superiors who feared contradicting the prevailing mythology of the state — and its leader — bent and broke reality. They made a series of smaller lies to protect the big lie: that the Soviet Union had everything under control.
During crises, ideology kills. Protecting myths, rather than people, is deadly.
The rapidly worsening coronavirus outbreak is President Trump’s Chernobyl. By putting dangerous myths above objective facts, Trump has turned the crucial early phases of government response into a disaster. Some public health experts in government have undoubtedly kept quiet, having seen repeatedly what happens to those who publicly contradict this president. And Trump himself, along with those who surround him, has tried to construct a reality that simply does not exist.
Those lies will kill.
Two weeks ago, today, Trump tweeted that “The coronavirus is very much under control in the United States … Stock market is starting to look very good to me!” At that point, there were a small number of cases, but public health experts clearly stated that the number was likely to spike. Nonetheless, Trump accused his critics of perpetrating a “hoax” and said their concerns was overblown. He said that the number of cases — 15 at the time — would soon be “close to zero.”
Today, there are more than 500 cases. There will soon be thousands.
Yet every new infection was viewed through the prism of political self-interest. Every warning was dismissed as media hype. Crucial hours and days ticked by without the urgent action that was needed.
Early on, public health experts and front-line doctors began ringing alarm bells. Testing kits weren’t available even for high-risk cases that were showing matching symptoms to covid-19. Trump responded by meeting with Fox News media performers Diamond and Silk at the White House. “Vote red, R-E-D,” Diamond said. “Remove Every Democrat.” Trump nodded and smiled.
The stock market is crashing. Every indicator from bond markets predicts a serious recession. The death rate is climbing. And if the outbreak in Italy is any indication of what we should expect, everything is about to get much worse.
Trump played golf yesterday.
Worse, he also admitted that his thinking is at least partly influenced by trying to keep the numbers of cases low. It was an acknowledgment that the big lie — that everything is fine and Trump has it under control — was what was worth protecting.
Reactors don’t explode. Anyone who wants a test can get a test. The Soviet Union made no mistakes. The U.S. government response to the coronavirus has been “perfect.”
So far, Trump has been able to glide through crises of his own making because his base of support has often believed him over reality. When fact-checkers expose Trump’s lies, many of his supporters distrust the fact-checkers, not the liar.
But coronavirus is different. Spin won’t make dead bodies disappear. Recessions can’t be warded off with a blistering tweet in all-capital letters. You can’t blame Hillary Clinton for hospital overcrowding. The Trump playbook works when everything else is working. It falls apart when the world is falling apart.
In August 1986, after the disaster, Soviet scientists finally acknowledged that the reactor type in service at Chernobyl had a design flaw that could cause a nuclear disaster. They had been aware of it for nine years. But nothing was done.
“Who would have thought?” Trump asked during his recent visit to the Centers for Disease Control and prevention. In fact, public health experts were warning for years that this would happen. “The threat of pandemic flu is the No. 1 health security concern,” one official in the White House’s global health security unit warned early in the Trump administration. “Are we ready to respond? I fear the answer is no.” The following day, Trump shut that office in a reorganization.
With Chernobyl, as with Trump’s response to the coronavirus, efforts to protect the big lie were always doomed. It was impossible to simply lie and cover up the nuclear disaster. But that didn’t stop the Soviet Union from trying. It is impossible to pretend that people dying in increasing numbers is a “hoax” or that an inadequate supply of testing kits is part of a “perfect” government response. But that hasn’t stopped Trump from trying.
For years, it has been obvious that having as president a self-aggrandizing liar who constructs his own reality is dangerous. We’re about to find out just how deadly it can be.
After the Flood
After the Flood Recedes
Like Frederick Douglass, we can find inspiration for this moment in the oldest story of rebirth and renewal.
Professor of American History at Yale University
Those with power who are planning our resurgence from the coronavirus need imagination and, above all, the humility of a long view of the human drama. To buoy myself one recent morning, after reading so much bad news, I did what the great abolitionist Frederick Douglass had done at an earlier moment of crisis: I sat and reread the Book of Genesis. One of the most profound rebirths, at least in spiritual and literary terms, occurs in the first eight chapters of that oldest story of all.
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All over our culture and in journalism right now, we are encountering metaphors of renewal, revival, restoration, and rebirth. For a host of historical reasons, Americans borrowed the grand idea of rebirth after destruction and then made it their own.
Some narratives of renewal are constructed with an authentic sense of tragedy, an understanding that in our nature is the capacity for great good and great evil. These accounts have the chance to convey real hope. Some stories of renewal, though, are puerile, inauthentic, and ignorant. One can witness this every evening in presidential news briefings that, if nothing else, should convince teachers and researchers at all levels of why their work matters.
In existential crises, we look for historical grounding, and to markers in time for guidance. We may need state-of-the-art new vaccines, but we also need old wisdom. And in the quiet, if unbearable, tension caused by the realization that our society is structurally broken, we need the ancient voices. “In the mystery of prophecy,” wrote the theologian Abraham Heschel, “we are in the presence of the central story of mankind … In decisive hours of history it dawns upon us that we would not trade certain lines in the book of Isaiah for the Seven Wonders of the World.”
The menu of choices is vast. “There is no peace, saith the Lord, unto the wicked.” Or, “And they shall beat their swords into plowshares, and the spears into pruninghooks: nation shall not lift up sword against nation, neither shall they learn war anymore.” Or, “Every valley shall be exalted, and every mountain and hill shall be made low: and the crooked shall be made straight, and the rough places made plain.” Or, “I heard the voice of the Lord, saying, Whom shall I send, and who will go for us? Then said I, Here am I; send me.” Whether chastening or comforting or impossibly challenging, we may find solace in the prophet’s oracles, so many of which are tales of destruction and rebirth. They are just now profoundly useful to our own hour of history.
They were useful as well in the era of the Civil War, certainly one of our existential crises. Imagine how different American history might have unfolded if the slaveholders’ republic known as the Confederacy had won the war. In the pivotal election year of 1864, it was still possible for the South to win. A wartime general election in the midst of civil war was unprecedented. Abraham Lincoln, running for a second term, faced stiff opposition to gain the nomination within his own party; when he overcame that, he encountered a bold and overtly racist campaign conducted by the Democratic Party, which ran the former Union General George B. McClellan for president. Democrats portrayed Republicans as radicals so devoted to racial equality that they would turn the country into a sea of “miscegenation” between blacks and whites. The Democrats also promised a vague negotiated peace with the Confederacy that would leave slavery maimed but intact.
The war was in a terrible stalemate in Virginia and Georgia, and death tolls had reached a horrific scale. Many Northerners could no longer bear the suffering and loss in that worst summer in American military history: In the six weeks from May 4 to June 15, the combined Union and Confederate casualties in the Virginia Overland Campaign reached 88,000 dead, wounded, or missing. The dying continued on all fronts through the election in the fall.
Stymied by their own creation—black freedom—some Republicans tried to skirt around or deny that they were the party of emancipation. But the freedom of the slaves was on the ballot in 1864, as was the future existence of a United States in a “rebirth,” as Lincoln had famously said in the Gettysburg Address, somehow around a more capacious vision of freedom. Events on battlefields may have saved Lincoln’s reelection as much as anything: Mobile Bay fell to the Union navy in late August and, most crucial of all, Atlanta fell to General William Sherman in early September. The war now seemed winnable. Hope suddenly reemerged along with the death tolls.
Frederick Douglass supported Lincoln and the Republicans in 1864, although they would not allow him to openly campaign for them. The former slave and incomparable orator represented the living embodiment, told brilliantly in his autobiographies, of the triumph over bondage. The Republican leadership wished him to remain politically invisible, but Douglass did not hide.
In October, at a national convention of black leaders in Syracuse, Douglass delivered a barn burner of a keynote speech. Nations could “learn righteousness” from supreme crises, he maintained. In a biblical turn of phrase, he saw the historical moment as one when “mourning mingles everywhere with the national shout of victory.” The Democrats, he believed, did the Confederates’ bidding; their victory would create a “white man’s country.” As though addressing Congress and a reelected Lincoln, Douglass employed a moving refrain four times in a single paragraph, calling for the passage of a Thirteenth Amendment to end slavery: “We implore you to abolish slavery,” he sang out. Only then, he said, would black freedom and the “national welfare” together achieve “everlasting foundations.”
Lincoln won a decisive popular-vote victory, drawing 2,206,938 votes to McClellan’s 1,803,787. Most remarkable, Lincoln carried a stunning 78 percent of the votes of soldiers, most of whom cast their ballots on the various war fronts. The war could now be seen through to its great results: the end of slavery and the remaking of the United States.
In his hometown of Rochester, New York, on the Sunday after the election, Douglass spoke at a celebration at the Spring Street African Methodist Episcopal Church, a pulpit he had occupied many times for lecture series. He praised Lincoln’s victory as “one to determine … life or death to the nation,” and the harbinger of “changes … vast and wonderful.” Douglass then drew upon the oldest rebirth metaphor in Western culture: Genesis and the tale of Noah’s Ark. The “waters of the flood were retiring,” he rejoiced, and he saw a “sign that the billows of slavery are rolling back to leave the land blooming again.”
In the ancient creation story, God had made all life, including humans to have “dominion” over all living things. But after a time, people became so wicked and evil that God ordered one good man, Noah, to build an ark and place within it representatives of every living species. The deluge that obliterated all life on Earth lasted 40 days and nights. Finally, the “windows of heaven were stopped.” Noah sent a dove out of the ark’s window to see if the waters had abated. The bird returned without finding “rest for the sole of her foot.” Noah waited and sent out the dove again and this time she returned with an “olive leaf” in its bill. The third time Noah released the dove she did not return and Noah wondered, Could it be true? He “removed the covering of the ark and looked, and behold, the face of the ground was dry.” All life had been obliterated, but now it might be reborn.
Douglass pointed to Genesis and its story of creation, destruction, and revival to grapple with the meaning of Lincoln’s victory and the prospect for emancipation. He was not merely connecting with a black church audience; he reached for ancient wisdom to find a sense of sacred transformation amid the profane violence of war and the sordid practices of politics. He mixed the voice of the Hebrew prophets with his own. He told the packed pews that he discerned signs in the election of a “redeemed and purified nation,” not unlike Noah seeing green land. Douglass announced as well in the Rochester church that he planned in the following week to return for the first time to Baltimore, Maryland, the city from which he had escaped slavery in 1838.
On November 1, 1864, the state of Maryland adopted a new “free Constitution,” abolishing slavery in a referendum by the narrow margin of 30,174 to 29,799. Douglass made his dramatic return to Baltimore on the 16th, with reporters in tow. He addressed a primarily black crowd at a standing-room-only gathering at the Bethel AME church in Fells Point, the neighborhood on the harbor where he had come of age.
As he arrived, Douglass encountered a woman who introduced herself as his sister, Eliza Mitchell. They two had not seen each other in 28 years. Older than Frederick by seven years, Eliza had traveled the 60 miles from Talbot County on the Eastern Shore to see her famous brother. She had managed to purchase her freedom in 1844 and raised nine children, one of whom she named Mary Douglass Mitchell, in honor of her long-departed sibling. The contrasts at the church that day were joyous and achingly poignant. Eliza, her husband, and all nine children had worked in menial jobs in a slave society in order to live, while Douglass had become a citizen of the world. To fathom the meaning of freedom for former slaves, we have to see into both of those experiences.
Douglass took the pulpit at Bethel surrounded by American flags, as a choir sang “Home Sweet Home.” Unavoidably, in a three-hour address, the former slave made himself central to the story. As in Rochester earlier, he harkened back to Noah and Genesis. This time, though, he declared himself the dove, and therefore the messenger of renewal. “The fact that I am where I am is really the subject,” he said. This time he was himself the “sign” on the dark clouds. “The return of the dove to the ark, with a leaf,” Douglass said, “was no surer sign that the flood had subsided from the mountains of the east, than my coming among you is a sign that the bitter waters of slavery have subsided from the majestic hills and fertile valleys of Maryland.”
With such audacity, Douglass inserted himself into the story of Genesis, and brought with him his people and his country. He rhapsodized about how in 1838 he had escaped from a “doomed city,” but now returned to “greet with an affectionate kiss the humblest pebble from the shores of your glorious Chesapeake.” Douglass called the occasion a “day of wonders” that he “hailed with the joy of an exiled son.” Freedom could change everything, at least for a while, in a tear-filled church of memory. Americans love a redemption story, and Douglass surely knew he embodied one.
As Douglass rounded out his oration that day in Baltimore, he delivered a brilliant political analysis of the challenge ahead. The right of “self-ownership,” he said, now demonstrated the absurdity of “property in man.” He challenged white people to look inside and change their souls and recognize that their future, too, depended upon “absolute civil and political equality” for all. Black folk in a reimagined American nation could now demand the “restoration of all rights,” and the greatest among them was the right to vote, the “solid rock” of a new country.
In the wake of the flood, Noah sought the solid rock upon which to build anew. God gave it to him and his sons and their families in the form of a covenant, promised with the sign of a rainbow on a dark but brightening sky. In our current quest to reopen and renew, it is good to know how difficult, yet how utterly necessary, this great task was in the oldest rebirth story we know. Having a sense of history, James Baldwin once wrote, means an awareness that whatever happens to us, however terrible, we can know we are “not alone.” It has happened before. All of Noah’s seed and all the creatures of Earth are in this boat together.
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